Psychedelia Gothique

After putting The Human Template to bed in early summer 2020, I thought that finishing book two of the Avenging Glory diptych would be a simply and straightforward task. After all, the book was pretty much complete when I decided to break off the first 45 pages and expand it into a full length free-standing novel. I had plenty of good reasons for that decision – given how hard it is for a previously unpublished novelist to sell a book in excess of a quarter of a million words, and given that my main protagonist didn’t make an appearance until almost halfway in. I needed a character strong enough to carry the book up to that point.  I had deliberately structured the story that way as opposed to doing it through oversight or lack of control.    My objective at the time was to allow Raine to fully mature/develop into the force he would become  after  he became part of the BioGrid. As he became more a part of the computer I wanted the BioGrid to become more human – thus creating a nicely

 Not all artifacts were created equal. Some have artistic, anthropological or historical significance, but often our most valued artifacts are items that are only important to you. Souvenirs, keepsakes and memorabilia. Souvenirs are markers. There are mass produced souvenirs like tiny pewter Eiffel Towers or spoons with country flags and tiny illustrations and place names on them. There are bigger souvenirs like T-shirts and hats, velvet paintings and hand carved masks and figurines. The most common, personal and valuable souvenirs are often photographs that you took yourself – they’re generally not very original – with loved ones standing in front of historical monuments or graduating, getting married, holding a new baby; or simply doing something that is typical and reminiscent of them. People create scrapbooks, photo albums, and Facebook profiles full of these. Most of our vacation photos are not valuable to anyone but us. If you are a professional or dedicated amateur photo

  My second short fiction collection will be coming out this spring.  Psychedelia Noir  will contain eight stories, six of which have been previously published in various venues and two that are new and exclusive to this collection. Four by seven inch, 120 page paperback books were not uncommon from the 50s through the 70s, but are seldom seen today. Weighing less than a poor person’s wallet, they can fit into a purse, the back pocket of a pair of jeans or an inside jacket pocket without making you feel like you’re carrying around a manhole cover.   Tiny paperbacks like this Harlan Ellison collection from the mid-60s were once pretty common.   If it goes over well, I hope to publish another similar volume in late 2021 or early 2022. It will contain plenty of horror, especially in the lead-off story, “The Dream Harvesters.” But there’s plenty of humour as well, in the award nominated “Nunavut Thunderfuck,” “Rated ‘L’ for Legacy,” and “The Headmaster’s Closet.” A couple of  Twilight Zone