Usually when I create an illo...even a purely photoshopped one like this, I have a use for it in mind. But this one just grabbed me around the throat, told me what it wanted to be and instructed me to get cracking.
Transversions and Everything After In the mid-1990s, Sally McBride and I dreamed up, published and edited a well-known and respected small press magazine called TransVersions: Literature of the Fantastic . Over the course of six years, we were fortunate to publish stories by new authors and established pros. Being one of the highest profile genre magazines publishing poetry, we received a wonderful offer from Governor-General Award winning poet and Canadian SF icon, Phyllis Gotlieb to become our poetry editor. Over the course of 11 issues, we published stories by a pretty impressive list of authors, including Gemma Files - author of Experimental Film ; David Nickle – author of Eutopia and Volk ; Jeff Vandermeer – author of Annihilation and the Southern Reach trilogy; James Sallis – author of Drive ; Robert J. Sawyer – author of Flash Forward ; and over 100 others. Many of our contributors went on to great success (Sallis and Sawyer were already well known...
Seven Great Reasons to Write Short Stories Writing short stories is a good way to learn the craft of fiction writing. With a very small investment you will learn how to put sentences together to tell a story. You will learn the basics of character creation, world-building, creating natural dialogue and continuity. Most importantly, you’ll learn if you actually like writing. Especially when you’re still in the early stages of learning how to write well, it’s much easier to get people to read your 3,000 word story than your 80,000 word novel. Since stories are easy to read and to judge on both their writerly and structural merits and shortcomings, they are the perfect length to workshop. Workshopping can give you feedback, that you can use to improve your craft. There may well be a market for your short stories. You can send them to editors who could purchase them for magazines or anthologies. They may even pay you money. It’s a time-tested way to start your writing ...
I recently read some reviews on Goodreads saying that Neuromancer is badly dated, has thin characters and is written in an unreadable style. I think what grates on me the most is that - to an extent, they are right. When you write near future science fiction, it will, by its nature, date quickly. Style preferences have changed considerably since the early 80s. But none of their observations struck me as particularly fair. They might react quite differently when the future he is addressing is more immediate. As in Agency .
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