Memory Games - Screenplay
After Memory Games was published, I had several inquiries from people interested in adapting the story as a short film. None of these came to fruition, but I was inspired to write a screenplay myself.
MEMORY GAMES - Screenplay
FADE IN:
INT. UPSTAIRS BEDROOM —
NIGHT
CELINE faces the large
mirror of an old-fashioned vanity. DANIEL embraces her from behind, kissing her
neck. He opens her shirt,revealing her white bra. She watches suspiciously as
he moves his hands down from her breasts to her waist, and begins unfastening
her jeans. She grabs Daniel's
fingers.
CELINE
Your hands are cold.
DANIEL
Yeah. We’d better get into
bed.
His silhouette is barely
visible in the darkness until a glare of headlights sweeps into the bedroom
from the street, catching Daniel in their photographic flash.
CU - Daniel’s face in the
mirror – concentrating intensely.
CELINE
We should talk first.
She tries to push his arm
away, but he holds onto the waistband of her jeans.
DANIEL
You’re not starting that
again,
are you?
Celine shrugs and begins
rebuttoning her blouse.
CELINE
Did you know that Alan
Winston was
one of them?
DANIEL
Don't start again.
CELINE
You remember Alan Winston,
don't
you?
DANIEL
No. I don't remember Alan‑fucking‑
Winston!
(Beat)
This is a crock. Sometimes I wonder
what you'd really do if I
failed one
of these tests.
CELINE
Kill you.
Daniel chuckles, silently
and mirthlessly.
DANIEL
Yeah, sure you would.
He turns her to face him,
undoing the buttons she just fastened and opening the front clasp of her
brassiere. He cradles her heavy breasts in his hands, pinching her nipples
between his knuckles.
DANIEL
Would a Morph know that you
like
it when I do this?
CELINE
Probably. Since it’s not the
kind
of thing you’d store in your
long-term memory. And even a
Morph
should be able to tell when
I’m
not in the mood.
As he kisses her neck, he
starts to pull down her jeans. She squirms away with a surge of terror.
CELINE
Stop.
She pulls her blouse shut.
CELINE
Look, I might not kill you,
but I
will not be with you
anymore. At
least until you tell me
about Alan
Winston.
DANIEL
(Shaking his head)
We worked with him.
CELINE
Which department?
Headlights light up the room
again allowing Celine to see how angry he is. He walks to the window to look
out.
DANIEL
They’re finally here.
CELINE
Who?
DANIEL
Must be morphs, since
they’re the
only ones who drive cars
anymore.
(Beat)
I called them, when you
started
freaking out. We'll never catch
this woman by surprise, I
told
them. Might as well take her now.
Celine cringes and then
scowls.
CELINE
That’s not funny.
More headlights illuminate
the room. This time, it stays lit. Celine walks up beside him and stares out.
DANIEL
If you send me away, you'll
never
make love to another
man. You'll
never be sure about anybody or
anything. You'll be afraid
of living.
CELINE
Aren’t we all?
DANIEL
I’m not.
Celine takes a deep breath,
and turns back.
CELINE
I've lived alone for half my
adult
life, Daniel. I'll survive.
He doesn't speak for a long
time.
DANIEL
But will it be worth it?
CELINE
At least I’ll be alive.
DANIEL
If you call that living.
She walks past him into the
hallway, and turns back to look at him.
CELINE
So. We were talking about Alan
Winston.
DANIEL
I'm not playing tonight,
Celine.
Daniel walks up to her and
puts his hands on her shoulders.
CELINE
Suits me fine. Neither am I.
He watches her go down the
stairs.
INT. LIVING ROOM — NIGHT
Celine is sitting on the
couch, fully dressed again. There is a fire in the fireplace and tall lit
candles on the endtables. She stares at a framed photograph in her lap, not
looking up as Daniel enters the room.
Daniel sits down beside her,
wearing a look of boyish contrition. When she finally looks up, her eyes are
filled with tears.
CU - The photo is of Celine
hugging an older woman.
CELINE
I wish there was some way I
could make sure she’s still
alive.
DANIEL (shrugging)
She’s had a hysterectomy, so
they can’t use her womb. She’s
probably fine.
CELINE
You think the breeders die
during child...or...
whatever-birth?
DANIEL
It’s all bullshit. Urban
myth.
Stuff made up to explain
things we
don’t have answers to.
CELINE
Shirley Dougall down the
street
says she saw one
being born.
Bursting out in a big mess
of blood
and guts.
(Beat)
So the other stuff is
probably true
too.
DANIEL
(sighing)
What stuff?
CELINE
How negative emotions at the
time
of 'conception' spoil the
pre‑natal environment. Maybe as long
as I stay
scared and avoid sex, I’m
safe.
DANIEL
Or maybe you just keep
yourself from
ever enjoying life again.
CELINE
Did you enjoy getting drunk
and staying out last night?
DANIEL
It’s been a long time.
CELINE
Where did you find booze?
DANIEL
That bottle of Scotch Marcel
was saving for Sandra.
CELINE
The one he wasn’t gonna open
until she came home?
DANIEL
(Beat)
Who really believes she’s
coming
home?
CELINE
When you didn’t come home
last night
I thought I’d never see you
again.
DANIEL
It’s hard enough to sneak
home
after curfew when I’m sober.
(Beat)
I need you, Celine. You're
all I have.
(Beat)
I thought you felt the
same...
CELINE
We don't love each
other.
(Beat)
We only stay together
because we're
afraid to find someone else.
DANIEL
But I love you.
He puts an arm over her
shoulder and tries pulling her toward him.
But she stands up, stares him in the eye and practically hisses her
ultimatum.
CELINE
Then answer my questions.
DANIEL
I’ve always been shitty with
names.
You know that. All I have to
do is
put a face to him. Gimme a
kickstart.
CELINE
(shaking head)
Alan Winston. Medium height.
Sort of
stocky. I think he was into
weightlifting or something.
DANIEL
Wait, wait, wait. He was...an analyst
from Systems Support.
CELINE
No, that was Ernie Williams.
DANIEL
Ernie, Alan, what's the
difference?
CELINE
Alan was the expenditure
coordinator
from Investment
Administration. He
and Gary from Payroll were
known
as the two musketeers cause
they
couldn't keep their swords
in their scabbards.
(BEAT)
What did Gary always tease
you about?
DANIEL
(BEAT as he thinks about it
then he gives her a big
grin)
It was about you.
(BEAT)
He was jealous that I’d won
the hand
of the fairest damsel.
CELINE
What would you have done if
he said
something to your wife?
DANIEL
(shrugging)
Never thought about it.
She gets quickly up off the
couch.
CELINE
I want you to leave right
now.
DANIEL
Come on. I'm only teasing. I
wasn't married.
(Beat)
I figured that if you could
dredge
up a cast of characters to
test my
memory, I could play the
same game.
(Beat)
To show you how stupid this
whole
thing is, how willing you
are to
believe everything you hear
from
everywhere.
(Beat)
Except from me.
Celine rolls her eyes.
CELINE
Well, you argue exactly like
Daniel.
DANIEL
I get so tired of this crap!
(He punches the couch
cushions angrily.)
Now come sit down.
He sighs and waits, when she
doesn’t respond, he stands up, walks to the closet and gets out his jacket.
CELINE
Where are you going?
DANIEL
Back to my brother’s. Maybe
he has
some scotch left.
Celine walks up behind him.
CELINE
Look. It’s too risky.
They’ve been
patrolling the
neighbourhood.
(BEAT)
You don't have to leave just
because
we're not going to make
love. If
you really need me, if you
love me,
why can't we just sit and
talk?
DANIEL
Because you'll just be
playing memory
games the whole time. Trying
to trick
me into slipping up.
(Beat)
You know what I just thought
of?
(Beat)
What if the Morphs have
found some way
to erase chunks of our
memories? If
real people start forgetting things,
then we wouldn’t be able to
tell if
one of us has been
affected.
Celine stands, nodding as he
speaks. Then she suddenly snaps to -- getting a look of disgust on her face.
CELINE
Why would they do that?
Daniel turns to face her.
DANIEL
To make us afraid of each
other.
Maybe they even started the
story
about morphs having
incomplete
memories just to fuck us
around.
The less we trust each
other,
the less likely we are to mount
an
effective resistance.
CELINE
What resistance?
DANIEL
Precisely.
CELINE
Your bafflegab isn't going
to work
on me tonight, Daniel.
Goodnight.
He turns and leaves without
further protest.
She looks as though she’s
about to call him back, but instead, watches the door close behind him.
INT. LIVING ROOM -- NIGHT
Celine, in her housecoat,
makes tea with a kettle she heated on the fire. The candles have melted down to
short stubs. There is a furtive knock on the door. Cautiously, she peeks out
the window, then she opens the door. Daniel slips in, looking scared and dirty.
There is an encyclopedia open on the coffee table, displaying a small drawing
of Santa Claus. Above him in the column is a sand dollar.
DANIEL
You were right. There are
too
many in the neighbourhood.
They
almost got me.
Celine peers out through a
crack in the curtain, then looks back at Daniel, who is still catching his
breath.
CELINE
Want some tea?
He looks up at her
gratefully.She fills the teapot and lowers in a well-used teabag on a string,
then takes the kettle to the kitchen. When she returns with a cup, Daniel
intercepts her,putting his arms around her. She wriggles violently away and he
puts his hands out placatingly.
DANIEL
I’ll leave again if you
want.
He stands sideways in the
kitchen doorway. Celine pauses as she is brushing past him into the living
room.
CELINE
(Abruptly)
No.
(BEAT)
I’ve been thinking about
what
you said. Were you serious
about
them tampering with our
memories?
Celine walks to the coffee
table, lifting the book to display the spine.
CELINE
The letter "S".
He walks toward her and she
looks down at the trail of muddy footprints.
CELINE
Shoes.
DANIEL
Sorry.
CELINE
If you are a morph, they
bred you in
the same barn Daniel was
raised in.
He takes off his shoes and
leaves them by the door.
CELINE
I want to see if there's
anything
I've forgotten. Anything I should
remember.
She opens the big book to
the middle.
CELINE
South Dakota.
DANIEL
I think you should look for
something a little more
obscure.
She flips back through it. .
CELINE
Slipperwort?
He takes the book from her
and flips to the end.
DANIEL
Tell me about Stone
Mountain.
CELINE
I don't...c'mon, Daniel,
that’s too obscure. Nobody's
ever heard of Stone Mountain.
Daniel puts the encyclopedia
back on the table in front of her.
DANIEL
One of the world’s largest
granite masses. The
Confederate
Memorial is carved into the
eastern slope, for Christ’s
sake.
(Beat)
The figures of Robert E.
Lee,
Jefferson
Davis and Stonewall Jackson
are carved into the
mountain. You at
least remember Mount
Rushmore, don't
you?
Celine nods mutely.
CELINE
It’s not...I mean...I’m
Canadian.
DANIEL
Don’t you remember the
reports from
the Olympic Games in Atlanta?
CELINE
I never watched sports.
(BEAT)
Give me another one.
He flips through the pages.
DANIEL
Then who's Snorri
Sturl-uson?
CELINE
A famous medieval Norwegian
writer. Ha!
Daniel nods, impressed as
Celine reclaims the book
CELINE
Now it's my turn.
Reluctantly, he hands it to her. She flips through several more pages
CELINE
The Suez Canal. Where is it?
DANIEL
It's in...Arabia or
somewhere
in the middle east. It
connects
the Mediterranean
with...some
other big body of water. The
Indian Ocean, the Red Sea,
something like that.
Nodding, Celine turns some more pages.
CELINE
How 'bout the Spanish
Inquisition?
DANIEL
And how about those Blue
Jays.
CELINE
Come on. I'm serious.
You’ve
know absolutely nothing
about
the fucking Spanish
Inquisition?
DANIEL
(shrugs)
It was in Spain.
CELINE
Good start. What else?
DANIEL
Something to do with
religion,
Christians being persecuted
or
something?
CELINE
Come on, Daniel. It was the
Christians who did the
persecuting.
DANIEL
Maybe that's why they never
talked
about it much in Catholic
school.
CELINE
Hmmmm... Somehow your
ignorance is
more convincing than your
knowledge
would be.
DANIEL
History was never my forte.
I
preferred Sex Education.
Celine laughs as he kisses
her neck.
DANIEL
That's the thing about
memory. How
can you ever be sure about
something
you've forgotten?
CELINE
Good point.
He kisses her lips as she
speaks, muffling the word "point".
She kisses back.
He pulls her to her feet.
CELINE
I was so scared when you
left.
DANIEL
So you’re glad I came back?
In response, she kisses him
deeply. He undoes her housecoat.
CELINE
Not here.
He takes her hand and leads
her up the stairs.
INT. BEDROOM -- NIGHT
They are in bed together.
She looks concerned as he slides his hand down between her legs.
DANIEL
I love you.
CELINE
I need you.
DANIEL
I know.
Daniel’s eyes glint
unnaturally as he enters her.
— End —
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